He seems different than usual - lighter and perkier. Jackson, who is done a surprising favor by the visual trickery. is just a budding task force and the Avengers are barely a gleam in the eye of Nick Fury, played by a digitally de-aged Samuel L. The movie is set in 1995, when S.H.I.E.L.D. And that makes for a rouser of a journey. Larson’s Vers is like someone trapped in a matrix - she has to shake off the dream of who she is to locate the superwoman she could be. Everything she’s been told is wrong! Can she wake up from the oppressive (read: patriarchal) mind-set of the conventions that bind her? “Captain Marvel” is only the second major Hollywood movie to feature a female superhero at its center, but it’s a savvier and more high-flying fantasy than “Wonder Woman,” because it’s the origin story as head game. She needs to open herself up to a bold new mode, and the film uses that transition as an analogue of her existence as a female superhero. Vers was taught one thing: to fight this way, for these people, for this cause. Vers is pulled into the drama of questioning the core of who she is, and that’s where Larson’s performance takes wing. The battle lines seem clearly drawn.Īs “Captain Marvel” goes on, though, the loyalties get reconfigured in ways you don’t expect. The Skrulls are the scurrilous interlopers: green-skinned, lizardy elfin-eared shape-shifters, led by the wily Taros (Ben Mendelsohn), who could be impersonating just about anyone, including your closest ally. She thinks she’s a Kree, and even though they’re led by the scowling and dyspeptic Jude Law as Yon-Rogg, who is Vers’ mentor, the Kree are set up to be the rough-and-tumble good guys. It’s closer in spirit to the last Wolverine film - a desperate tale of identity, with Vers honing her powers by working to figure out, along with the audience, who she actually is. But this isn’t another über-fish-out-of-water comedy. Vers has a bunch of memories of having been on Earth - of being a Top Gun fly-girl, partying with her Air Force cronies on karaoke night and listening to an obnoxious stud-pilot tell her, “You do know why they call it the cockpit?” Were those memories implanted in her, or are they something real that she’s repressed? The basic premise of “Captain Marvel” - a gifted figure from a distant galactic sphere lands in Los Angeles - carries echoes of “Thor,” “Superman,” and many a past Spandex saga. But then she lands on Earth (or, as it’s referred to in the film, Planet C-53), and it’s here that the emotional vibrance of Larson’s presence really kicks in.
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